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Robert Altman
The Oral Biography
by 
Mitchell Zuckoff
Various
  
Average rating: 
Publisher: Books on Tape
Subject(s):  Nonfiction
Performing Arts
Language(s):  English
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Format Information

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Available copies:  
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File size:   260181 KB
ISBN:   9781415966495
Release date:   Oct 20, 2009

Description

Robert Altman—visionary director, hard-partying hedonist, eccentric family man, Hollywood legend—comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

His outsized life and unique career are revealed as never before: here are the words of his family and friends, and a few enemies, as well as the agents, writers, crew members, producers, and stars who worked with him, including Meryl Streep, Warren Beatty, Tim Robbins, Julianne Moore, Paul Newman, Julie Christie, Elliott Gould, Martin Scorsese, Robin Williams, Cher, and many others. There is even Altman himself, in the form of his exclusive last interviews.

After an all-American boyhood in Kansas City, a stint flying bombers through enemy fire in World War II, and jobs ranging from dog-tattoo entrepreneur to television director, Robert Altman burst onto the scene in 1970 with the movie M*A*S*H. He revolutionized American filmmaking, and, in a decade, produced masterpieces at an astonishing pace: McCabe & Mrs. Miller, Thieves Like Us, The Long Goodbye, 3 Women, and, of course, Nashville. Then, after a period of disillusionment with Hollywood—as well as Hollywood’s disillusionment with him—he reinvented himself with a bold new set of masterworks: The Player, Short Cuts, and Gosford Park. Finally, just before the release of the last of his nearly forty movies, A Prairie Home Companion, he received an honorary Oscar for lifetime achievement from the Academy, which had snubbed him for so many years.

Mitchell Zuckoff—who was working with Altman on his memoirs before he died—weaves Altman’s final interviews, an incredible cast of voices, and contemporary reviews and news accounts, into a riveting tale of an extraordinary life. Here are page after page of revelations that force us to reevaluate Altman as a man and an artist, and to view his sprawling narratives with large casts, multiple story lines, and overlapping dialogue as unquestionably the work of a modern genius.


From the Hardcover edition.

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Excerpts

From the book

...

M

  • A
  • S
  • H



  • M
  • A
  • S
  • H (1970)

    Pauline Kael, review inThe New Yorker, January 24, 1970: M
  • A
  • S
  • H is a marvelously unstable comedy, a tough, funny, and sophisticated burlesque of military attitudes that is at the same time a tale of chivalry. It's a sick joke, but it's also generous and romantic--an erratic episodic film, full of the pleasures of the unexpected. . . . It's a modern kid's dream of glory: Holden Caulfield would, I think, approve of [the heroes played by Donald Sutherland and Elliott Gould]. They're great surgeons, athletes, dashing men of the world, sexy, full of noblesse oblige, but ruthless to those with pretensions and lethal to hypocrites. . . . I think M
  • A
  • S
  • H is the best American war comedy since sound came in, and the sanest American movie of recent years.



  • From the M
  • A
  • S
  • H theme song, "Suicide Is Painless," lyrics by Michael Altman:



    A brave man once requested me,
    to answer questions that are key.
    Is it to be or not to be?
    And I replied, "Oh, why ask me?"

    [Refrain] Suicide is painless. It brings on many changes,
    and I can take or leave it if I please.



    Memo titled "Synopsis of M
  • A
  • S
  • H " from James Denton, director of publicity, Twentieth Century Fox, July 16, 1969: Soon after Hawkeye Pierce (Donald Sutherland), Duke Forrest (Tom Skerritt) and Trapper John McIntyre (Elliott Gould) join the 4077th Mobile Army Surgical Hospital (MASH), Col. Henry Blake (Roger Bowen) ruefully realizes how placid his Korean War command had been before. The three surgeons have two things in common: They are the best in the Far East and they are hell- raising lunatics who make a shambles of army bureaucracy.

    Michael Murphy: George Litto was an unsung hero of this movie. As brilliant as Bob was, studios worried about him because he was really an artist and he was rebellious and he wouldn't do it the way they wanted it. That's where George came in.

    George Litto: The way it started was my client, Ring Lardner, Jr., was asked to review the book M
  • A
  • S
  • H for The New York Times. You know Ring's story? He was one of the blacklisted guys from the Hollywood 10, a brave guy who went to jail not to name names. I'm not a Communist. If anything I'm a capitalist--if anything I'm a royalist [laughs]. But I was very sympathetic to the fact that the blacklist was unfair. People have the right to disagree, they didn't do anything in my mind illegal; you know, believing in something that's not popular is not a crime. They have their First Amendment right. And they were treated terribly.

    Anyway, he called me and said, "George, I think it would make a terrific movie." Well, Ingo Preminger was Ring's agent before me, and we were very friendly, and he was moving into producing. So I called up Ingo, and I said, "Ingo, your ex- client just sent me a terrific book. I read the book and I think it would make a wonderful movie. But one condition: If you like it and you buy it, you've got to hire Ring to write it." He said, "No problem."

    Richard Zanuck (studio executive and producer): Ingo Preminger came into my office one day--he had a big literary agency--and he came in and he said, "I've read a book I'd like you to read over the weekend. If you like it I'll sell the agency if you let me produce it." I said, "Jesus, Ingo." He had substantial clients. It was a thriving agency. Ingo was much more civil than his brother Otto, who was an arrogant prick. Well, I read it, and I called him up and I said, "I have your office ready."

    George Litto: I had...
  •  

    Reviews

    Janet Maslin, The New York Times...

    "A big, comprehensive, flesh-and-blood account of Altman's persona and exploits. . . . [A] sprawling, many-faceted story."

     
    David Thomson, The New Republic...
    "Quite special. . . . This is a smart, amusing, lively book, full of anecdotes and a generous step towards perceiving the glorious and perverse ways of Altman himself. . . . We owe him plenty."
     
    David Fear, Time Out New York...
    "Invaluable, ingenious and formally unique. . . . Sprawling, cacophonous, contradictory, loopy, laugh-out-loud funny. . . . Something that resembles an Altman film. . . . Altman, that bearded bastard, would have loved it."
     
    Wes Anderson...
    "I just now put [Robert Altman: The Oral Biography] down feeling heartbroken but happily and deeply inspired. . . . Wonderful."
     
    Chuck Leddy, The Boston Globe...
    "Zuckoff's biography is like his subject's movies, filled with a multiplicity of voices and averse to defining 'meaning.' Yet in the end, readers understand Altman's stubborn vision, his refusal to compromise with commerce, and his hard-earned, eccentric genius."
     
    Toby Young, Wall Street Journal...
    "[Zuckoff] uses a light editorial hand, allowing a wide range of contributors to have their say. . . . A comprehensive, 360-degree look at a complicated subject."
     
    Roger Moore, Orlando Sentinel...
    "A positively 'Altmanesque' treatment. . . . [Altman] made a great Western, a great anti-war movie, a great period piece, a great detective picture, a great ballet movie and the how-Hollywood-works movie. And Zuckoff . . . is an apt choice to corner an old fast-talker like Altman."
     
    San Francisco Chronicle...
    "[There are] many surprising and revealing comments that Zuckoff has assembled in his fittingly rambling book. . . . Life is complicated, often messy--as Altman showed us--and his life, as seen in Zuckoff's book, was no exception."
     
    Publishers Weekly (starred review)...
    "[A] fitting tribute to one of Hollywood's greatest directors. . . . A rebel to the end, Altman's spirit is perfectly captured in this fascinating read."
     
    Kirkus Reviews...
    "An engrossing, comprehensive book that gives invaluable insight into the life and work of a truly original artist."
     

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